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Headlocks for Control
A headlock is one of those moves that's almost instinctive. You are rough-and-tumbling with someone.
You both start to grapple. One of you wraps his (or her) arm around the other's neck. Bam -- the head is firmly grasped in a cradle position in the instigator's arm. The head is held in the crook of the arm, with one ear pressed against the locker's side.
In a headlock, the head can be held with the lockee's body behind the person locking. Or the head can be facing the back with the body to the front. In other words, you can grab the head into a lock from either direction.
When's the Best Time to Effect a Headlock?
Use a headlock to get control in the fight. There are various times when a headlock could be used effectively:
* Headlock, in order to prevent the barrage of hits from continuing. Your attacker is hitting you; you need it to stop. Grab your enemy. Wrap yourself around him or her. Then allow your arm to snake around the neck into a lock. When you apply pressure, the hitting will stop.
* Headlock as a controlling move, when you need to hit with your other hand. When I was a kid, a kid was picking on me at the playground after school. I headlocked him, when he started hitting. When I let him go, he'd start to hit again. Eventually, I used the headlock as the control, while I 'convinced' him with my other fist, that I didn't want to fight.
* Headlock, in order to drop someone to the ground. But be very careful in practice. It's too easy to tweak someone's neck. It hurts just thinking about the possibility.
* Headlock as a transition move. Which limb you can reach and lock or trap you can effect depends on the orientation of the head. Often, you can grab a wrist for a tight wrist lock.
To be frank, nowadays the headlock is not my favorite move -- unless I can trap another limb, while holding the head. And if I do, that means I don't have both hands locked in a lock.
If my opponent start to escape, then I am less than nice, I use a fast and very powerful elbow strike. So, if my captor starts to break free, I immediately let go of whatever my other hand is doing, and bend that arm at the elbow into a strike....
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